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Early life[ edit ] Laaksonen was born and raised by a middle-class family in Kaarina , a town in southwestern Finland , near the city of Turku. The family lived in the school building's attached living quarters. In his spare time he also started drawing erotic images for his own pleasure, [2] based on images of male laborers he had seen from an early age.

At first he kept these drawings hidden, but then destroyed them "at least by the time I went to serve the army. I am thinking only about the picture itself. The whole Nazi philosophy, the racism and all that, is hateful to me, but of course I drew them anyway—they had the sexiest uniforms! Laaksonen's style and content in the late s and early s was partly influenced by the U. Day the United States Supreme Court ruled that nude male photographs were not inherently obscene. Gay mainstream appeal s — [ edit ] With the decriminalization of male nudity, gay pornography became more mainstream in gay cultures, and Laaksonen's work along with it.

By , he was publishing erotic comic books and making inroads to the mainstream art world with exhibitions. In he gave up his full-time job at the Helsinki office of McCann-Erickson , an international advertising firm.

By the mids he was also emphasizing a photorealistic style, making aspects of the drawings appear more photographic. In , Laaksonen, with businessman and friend Durk Dehner, co-founded the Tom of Finland Company to preserve the copyright on his art, which had been widely pirated. In the Tom of Finland Foundation was established to collect, preserve, and exhibit homoerotic artwork. Eventually the disease and medication caused his hands to tremble, leading him to switch mediums from pencil to pastels.

He died in due to an emphysema-induced stroke. Laaksonen developed a friendship with gay photographer Robert Mapplethorpe , whose work depicting sado-masochism and fetish iconography was also subject to controversy.

A controversial theme in his drawings was the erotic treatment of men in Nazi uniforms. They form a small part of his overall work, but the typically flattering visual treatment of these characters has led some viewers to infer sympathy or affinity for Nazism, and they have been omitted from most recent anthologies of his work.

Later in his career Laaksonen disavowed this work and was at pains to dissociate himself and his work from fascist or racist ideologies. He also depicted a significant number of black men in his drawings, with no overt racial or political message in the context in which they appear; although they bear some commonality with racist caricatures of the "hypersexual" black male, these traits are shared by Laaksonen's white characters as well.

His detailed drawing technique has led to him being described as a "master with a pencil", while in contrast a reviewer for Dutch newspaper Het Parool described his work as "illustrative but without expressivity".

For example, some critics have noted instances of apparent tenderness between traditionally tough, masculine characters, or playful smiles in sado-masochistic scenes. The Life and Art of Tom of Finland documentary. In the late s, artist G. Jones began a series of drawings called the "Tom Girls" that appropriated Tom of Finland's drawings.

The drawings were done in the style of Tom of Finland and based on his drawings, but featured punk girls or other subculturally identified women. However, unlike Tom's drawings, in Jones' work the authority figures exist only to be undermined, not obeyed. The two artists exhibited their work together in New York City in the early s. In , Tom of Finland Clothing Company introduced a fashion line based on his works, which covers a wide array of looks besides the typified cutoff-jeans-and-jacket style of his drawings.

The fashion line balances the original homoeroticism of the drawings with mainstream fashion culture, and their runway shows occur in many of the venues during the same times as other fashion companies. Shipley Miller, said, "Tom of Finland is one of the five most influential artists of the twentieth century. As an artist he was superb, as an influence he was transcendent.

His work is also in the public Collections of: In there was a large retrospective exhibition of Laaksonen's artwork in Turku , Finland. The exhibition was one of the official events in Turku's European Capital of Culture programme. In , Artists Space presented the exhibition "Tom of Finland: By the late s, Laaksonen was well known in the gay world, but his "pneumatically muscled, meticulously rendered monster-donged icons of masculinity" received mainstream attention when the film — which includes hundreds of images of his work along with interviews — was released theatrically in Finland, won a Finnish Jussi Award in its category in , and was shown at film festivals and film art houses worldwide.

Helsinki-filmi produced it and secured exclusive rights. The film, released in February in Finland, [35] is the first biopic of the artist. Tom of Finland stamps In September the Finnish postal service, Itella Posti , published a set of three first class stamps featuring drawings by Laaksonen and in association with the stamps' release exhibited some of his correspondence at the Finnish Postal Museum. Kari Paljakka and Alvaro Pardo producers: Daddy and the Muscle Academy: Also features frames of Laaksonen's graphic art.

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Early life[ edit ] Laaksonen was born and raised by a middle-class family in Kaarina , a town in southwestern Finland , near the city of Turku. The family lived in the school building's attached living quarters. In his spare time he also started drawing erotic images for his own pleasure, [2] based on images of male laborers he had seen from an early age. At first he kept these drawings hidden, but then destroyed them "at least by the time I went to serve the army.

I am thinking only about the picture itself. The whole Nazi philosophy, the racism and all that, is hateful to me, but of course I drew them anyway—they had the sexiest uniforms!

Laaksonen's style and content in the late s and early s was partly influenced by the U. Day the United States Supreme Court ruled that nude male photographs were not inherently obscene. Gay mainstream appeal s — [ edit ] With the decriminalization of male nudity, gay pornography became more mainstream in gay cultures, and Laaksonen's work along with it. By , he was publishing erotic comic books and making inroads to the mainstream art world with exhibitions.

In he gave up his full-time job at the Helsinki office of McCann-Erickson , an international advertising firm. By the mids he was also emphasizing a photorealistic style, making aspects of the drawings appear more photographic. In , Laaksonen, with businessman and friend Durk Dehner, co-founded the Tom of Finland Company to preserve the copyright on his art, which had been widely pirated. In the Tom of Finland Foundation was established to collect, preserve, and exhibit homoerotic artwork.

Eventually the disease and medication caused his hands to tremble, leading him to switch mediums from pencil to pastels. He died in due to an emphysema-induced stroke. Laaksonen developed a friendship with gay photographer Robert Mapplethorpe , whose work depicting sado-masochism and fetish iconography was also subject to controversy. A controversial theme in his drawings was the erotic treatment of men in Nazi uniforms. They form a small part of his overall work, but the typically flattering visual treatment of these characters has led some viewers to infer sympathy or affinity for Nazism, and they have been omitted from most recent anthologies of his work.

Later in his career Laaksonen disavowed this work and was at pains to dissociate himself and his work from fascist or racist ideologies. He also depicted a significant number of black men in his drawings, with no overt racial or political message in the context in which they appear; although they bear some commonality with racist caricatures of the "hypersexual" black male, these traits are shared by Laaksonen's white characters as well.

His detailed drawing technique has led to him being described as a "master with a pencil", while in contrast a reviewer for Dutch newspaper Het Parool described his work as "illustrative but without expressivity". For example, some critics have noted instances of apparent tenderness between traditionally tough, masculine characters, or playful smiles in sado-masochistic scenes.

The Life and Art of Tom of Finland documentary. In the late s, artist G. Jones began a series of drawings called the "Tom Girls" that appropriated Tom of Finland's drawings. The drawings were done in the style of Tom of Finland and based on his drawings, but featured punk girls or other subculturally identified women. However, unlike Tom's drawings, in Jones' work the authority figures exist only to be undermined, not obeyed. The two artists exhibited their work together in New York City in the early s.

In , Tom of Finland Clothing Company introduced a fashion line based on his works, which covers a wide array of looks besides the typified cutoff-jeans-and-jacket style of his drawings. The fashion line balances the original homoeroticism of the drawings with mainstream fashion culture, and their runway shows occur in many of the venues during the same times as other fashion companies. Shipley Miller, said, "Tom of Finland is one of the five most influential artists of the twentieth century.

As an artist he was superb, as an influence he was transcendent. His work is also in the public Collections of: In there was a large retrospective exhibition of Laaksonen's artwork in Turku , Finland. The exhibition was one of the official events in Turku's European Capital of Culture programme. In , Artists Space presented the exhibition "Tom of Finland: By the late s, Laaksonen was well known in the gay world, but his "pneumatically muscled, meticulously rendered monster-donged icons of masculinity" received mainstream attention when the film — which includes hundreds of images of his work along with interviews — was released theatrically in Finland, won a Finnish Jussi Award in its category in , and was shown at film festivals and film art houses worldwide.

Helsinki-filmi produced it and secured exclusive rights. The film, released in February in Finland, [35] is the first biopic of the artist. Tom of Finland stamps In September the Finnish postal service, Itella Posti , published a set of three first class stamps featuring drawings by Laaksonen and in association with the stamps' release exhibited some of his correspondence at the Finnish Postal Museum.

Kari Paljakka and Alvaro Pardo producers: Daddy and the Muscle Academy: Also features frames of Laaksonen's graphic art.

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