Modern joy of sex 2007. The New Modern Man.



Modern joy of sex 2007

Modern joy of sex 2007

With his first feature film, Corbijn avoids the pitfalls of many music video directors who inundate us with flashy and unnecessary edits and camera angles.

Instead, he lets the stark black and white of the film tell the story of a lead singer tortured by epilepsy, guilt, depression and suicidal thoughts. The use of black and white also captures the factory town of Manchester, England in the late s, a city crumbling under industrial and economic stress. Manchester has since rebounded and is once again thriving. Curtis is played by relative newcomer, Sam Riley, who's quiet and unassuming approach portrays an artist inspired by his heroes, David Bowie and Iggy Pop.

At a chance meeting following a Sex Pistols concert, Curtis bonds with three fellow musicians to form the band. As Joy Division begins to flourish, Ian's relationship with his young wife, Deborah, continues to distance itself.

Academy Award nominee, Samantha Morton plays the confused wife trying to understand her husband's depressed soul. The film is based on Deborah Curtis' autobiography, "Touching From A Distance", so it comes as a surprise that Morton's character does not have more scenes in the movie. The key to Control is understanding Curtis' depression, which the film accomplishes to near perfection.

As he battles epilepsy, the young singer lives in constant fear that his next seizure will be his last. His only option is to swallow a daily cocktail of prescription drugs with side effects so terrible, that most of us would rather tempt fate than endure the aftermath of the pills.

Ian's spirit is also tortured by overwhelming guilt brought on by an extra-marital affair with a part-time journalist, played by Romanian-born Alexandra Maria Lara.

The most telling scene comes when Ian records an in-studio track for the song "Isolation. I'm doing the best that I can. I'm ashamed of the things I've been put through.

I'm ashamed of the person I am. The year-old Riley does an excellent job of capturing Curtis' aloofness on stage. Singers such as Jim Morrison, Kurt Cobain and even the early years of Michael Stipe would often drift into the moment of the song. But when Curtis performed, he immersed himself into his own world where the music simply served as the soundtrack.

Riley skillfully draws us into Ian's dark world with a range of subtle head movements and facial expressions to a whirling explosion of arm gyrations that came to personify the singer's stage performances. Overwhelmed with grief, shame and depression, Ian finally succumbs to his demons at the young age of He left behind a wife, a child and a musical legacy that is finally receiving its just rewards nearly three decades later.

For those looking for a story solely about Joy Division, Control may not be for you. But for those seeking an intuitive perspective into the anguished spirit of one of the most influential alternative bands in history, you will certainly find it in this depressing but incredibly beautiful film.

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Modern joy of sex 2007

With his first feature film, Corbijn avoids the pitfalls of many music video directors who inundate us with flashy and unnecessary edits and camera angles. Instead, he lets the stark black and white of the film tell the story of a lead singer tortured by epilepsy, guilt, depression and suicidal thoughts. The use of black and white also captures the factory town of Manchester, England in the late s, a city crumbling under industrial and economic stress.

Manchester has since rebounded and is once again thriving. Curtis is played by relative newcomer, Sam Riley, who's quiet and unassuming approach portrays an artist inspired by his heroes, David Bowie and Iggy Pop. At a chance meeting following a Sex Pistols concert, Curtis bonds with three fellow musicians to form the band.

As Joy Division begins to flourish, Ian's relationship with his young wife, Deborah, continues to distance itself. Academy Award nominee, Samantha Morton plays the confused wife trying to understand her husband's depressed soul. The film is based on Deborah Curtis' autobiography, "Touching From A Distance", so it comes as a surprise that Morton's character does not have more scenes in the movie.

The key to Control is understanding Curtis' depression, which the film accomplishes to near perfection. As he battles epilepsy, the young singer lives in constant fear that his next seizure will be his last. His only option is to swallow a daily cocktail of prescription drugs with side effects so terrible, that most of us would rather tempt fate than endure the aftermath of the pills.

Ian's spirit is also tortured by overwhelming guilt brought on by an extra-marital affair with a part-time journalist, played by Romanian-born Alexandra Maria Lara.

The most telling scene comes when Ian records an in-studio track for the song "Isolation. I'm doing the best that I can. I'm ashamed of the things I've been put through. I'm ashamed of the person I am. The year-old Riley does an excellent job of capturing Curtis' aloofness on stage. Singers such as Jim Morrison, Kurt Cobain and even the early years of Michael Stipe would often drift into the moment of the song.

But when Curtis performed, he immersed himself into his own world where the music simply served as the soundtrack. Riley skillfully draws us into Ian's dark world with a range of subtle head movements and facial expressions to a whirling explosion of arm gyrations that came to personify the singer's stage performances.

Overwhelmed with grief, shame and depression, Ian finally succumbs to his demons at the young age of He left behind a wife, a child and a musical legacy that is finally receiving its just rewards nearly three decades later.

For those looking for a story solely about Joy Division, Control may not be for you. But for those seeking an intuitive perspective into the anguished spirit of one of the most influential alternative bands in history, you will certainly find it in this depressing but incredibly beautiful film.

Was this review helpful to you?

Modern joy of sex 2007

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