The hills have eyes sex clip. The Hills Have Eyes 2.



The hills have eyes sex clip

The hills have eyes sex clip

The Hills Have Eyes 2 Share. Please, won't somebody end the circle of mutant life? By Scott Collura Ah, spring is in the air -- time for the atomically-irradiated, subhuman-mutant mating ritual.

First, a mutant climbs from his nest or hole in the ground to brave the dangers of the outside world and find a suitable female. Then, he kills all the female's friends and drags her underground to his Texas Chainsaw Massacre-themed den of horrors. After some brief foreplay usually involving inaudible and halting words from the male and shrieks of terror from the female , a horrific rape occurs.

Nine months later, of course, a half-monster infant is born or stillborn and the female is brutally murdered moments later. Call it the circle of mutant life. Oh, and there's one other key element to this process that is all but essential, and that's the Hollywood studios' insistence on relying on the same old storylines and familiar elements time and again in order to make a quick horror movie buck.

In particular, name recognition is key, and so it is that we are granted The Hills Have Eyes II, the mostly in-name-only sequel to last year's remake of Wes Craven's original shocker -- which in turn is said to have been inspired by a Scottish legend. Craven, by the way, share's a co-scripting credit with his son, Jonathan, on this film in addition to his producer title, so he's as guilty as anyone else for the exercise in would-be horror that results. A gruesome opening segment depicts the birth of a mutant baby, and the unfortunate fate of the child's mother, in a scene that actually approaches stomach-churning proportions for even an old horror movie watching warhorse like this writer.

That child and its mother are barely glimpsed again in the film, but the sequence effectively sets up the primary goal of the mutants: The film then gives us another prologue of murder and mayhem, after a title card that alludes to the events of the film.

The military has moved into the desert area where the atomically-created mutants reside; the plan is to set up tracking sensors in order to keep an eye on the murderous half-men, and presumably hunt them down eventually. Of course, the mutants outwit the military and a fair share of blood and guts results. After the above scene, we finally meet our core cast of doomed characters.

A ragtag collection of National Guardsmen on a training mission, the would-be heroes and heroines fall into the usual rank and file assortment for a picture of this type: It's not tough to figure out from the get-go who'll live and who'll die, so the viewer realizes they'll have to amuse themselves with the process of how the various characters will meet their ends.

And there are some fun moments of gory horror and killing for true fans to be found along the way, if those same fans are willing to overlook an exceptionally stupid script. Horror film characters are certainly not known for their smarts, but it's the situations this particular group are placed in by the Cravens that ring as absolutely ridiculous at times. Why, for instance, would a group of National Guard recruits be using live ammo during their training exercise -- including grenades capable of blowing them some feet off their feet?

How can their instructor Flex Alexander, doing the high school drama class version of the stereotypical "Sarge" character in good conscience take them on a rescue mission in the desert after he just failed them for their complete incompetence? And how the heck does Jessica Stroup wind up in the National Guard, looking the way she does?

She ain't no Lynndie England, that much is certain. Additionally, a graphic rape scene involving Daniella Alonso's character reeks of bad taste. The character is carefully set up as a mom who adores her four-year-old son back home, only to then fall prey to the Solomon Grundy-esque chief mutant's lust.

The audience is led to believe at first that maybe Alonso's character will get away, but a few scenes later the actual rape is depicted -- at which point a tremor of unease seemed to vibrate through the audience.

Yes, rape is old-hat in Craven's early cult films, but in a studio-produced, generally cartoonish effort like this there's something troubling about this scene as its depicted. But really, the main fault of The Hills Have Eyes II is how much it has lowered the bar when compared to its predecessors. Craven's original, and even the remake to some degree, dealt with the theme of family in that it contrasted the all-American folks on vacation in the desert with the sub-human mutants who prey on them -- and have a family unit all their own.

There was something more to the story than just rape and murder, and while this film makes a couple of halfhearted references to Afghanistan and "the war" but never to Iraq , with one character comparing the "monsters who live in caves over there" to the "ones who live in caves here," the notion is never fully fleshed out. And neither is the basic plot truly seen through to an end point. A key mutant character is abruptly dropped and not seen again in the final reel, and the last moments of the picture are shrug-inducing if sequel-inviting.

Even the monsters themselves are kind of lame and uninteresting when compared to those from the film or Craven's ultra-low budget original. Maybe it's just time to put an end to this mutant circle of life, or at least send it straight to DVD from now on.

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The Hills Have Eyes 3 Teaser Trailer 2018 Movie HD



The hills have eyes sex clip

The Hills Have Eyes 2 Share. Please, won't somebody end the circle of mutant life? By Scott Collura Ah, spring is in the air -- time for the atomically-irradiated, subhuman-mutant mating ritual. First, a mutant climbs from his nest or hole in the ground to brave the dangers of the outside world and find a suitable female.

Then, he kills all the female's friends and drags her underground to his Texas Chainsaw Massacre-themed den of horrors.

After some brief foreplay usually involving inaudible and halting words from the male and shrieks of terror from the female , a horrific rape occurs.

Nine months later, of course, a half-monster infant is born or stillborn and the female is brutally murdered moments later. Call it the circle of mutant life. Oh, and there's one other key element to this process that is all but essential, and that's the Hollywood studios' insistence on relying on the same old storylines and familiar elements time and again in order to make a quick horror movie buck. In particular, name recognition is key, and so it is that we are granted The Hills Have Eyes II, the mostly in-name-only sequel to last year's remake of Wes Craven's original shocker -- which in turn is said to have been inspired by a Scottish legend.

Craven, by the way, share's a co-scripting credit with his son, Jonathan, on this film in addition to his producer title, so he's as guilty as anyone else for the exercise in would-be horror that results. A gruesome opening segment depicts the birth of a mutant baby, and the unfortunate fate of the child's mother, in a scene that actually approaches stomach-churning proportions for even an old horror movie watching warhorse like this writer.

That child and its mother are barely glimpsed again in the film, but the sequence effectively sets up the primary goal of the mutants: The film then gives us another prologue of murder and mayhem, after a title card that alludes to the events of the film. The military has moved into the desert area where the atomically-created mutants reside; the plan is to set up tracking sensors in order to keep an eye on the murderous half-men, and presumably hunt them down eventually. Of course, the mutants outwit the military and a fair share of blood and guts results.

After the above scene, we finally meet our core cast of doomed characters. A ragtag collection of National Guardsmen on a training mission, the would-be heroes and heroines fall into the usual rank and file assortment for a picture of this type: It's not tough to figure out from the get-go who'll live and who'll die, so the viewer realizes they'll have to amuse themselves with the process of how the various characters will meet their ends.

And there are some fun moments of gory horror and killing for true fans to be found along the way, if those same fans are willing to overlook an exceptionally stupid script. Horror film characters are certainly not known for their smarts, but it's the situations this particular group are placed in by the Cravens that ring as absolutely ridiculous at times. Why, for instance, would a group of National Guard recruits be using live ammo during their training exercise -- including grenades capable of blowing them some feet off their feet?

How can their instructor Flex Alexander, doing the high school drama class version of the stereotypical "Sarge" character in good conscience take them on a rescue mission in the desert after he just failed them for their complete incompetence? And how the heck does Jessica Stroup wind up in the National Guard, looking the way she does? She ain't no Lynndie England, that much is certain.

Additionally, a graphic rape scene involving Daniella Alonso's character reeks of bad taste. The character is carefully set up as a mom who adores her four-year-old son back home, only to then fall prey to the Solomon Grundy-esque chief mutant's lust. The audience is led to believe at first that maybe Alonso's character will get away, but a few scenes later the actual rape is depicted -- at which point a tremor of unease seemed to vibrate through the audience.

Yes, rape is old-hat in Craven's early cult films, but in a studio-produced, generally cartoonish effort like this there's something troubling about this scene as its depicted. But really, the main fault of The Hills Have Eyes II is how much it has lowered the bar when compared to its predecessors. Craven's original, and even the remake to some degree, dealt with the theme of family in that it contrasted the all-American folks on vacation in the desert with the sub-human mutants who prey on them -- and have a family unit all their own.

There was something more to the story than just rape and murder, and while this film makes a couple of halfhearted references to Afghanistan and "the war" but never to Iraq , with one character comparing the "monsters who live in caves over there" to the "ones who live in caves here," the notion is never fully fleshed out. And neither is the basic plot truly seen through to an end point. A key mutant character is abruptly dropped and not seen again in the final reel, and the last moments of the picture are shrug-inducing if sequel-inviting.

Even the monsters themselves are kind of lame and uninteresting when compared to those from the film or Craven's ultra-low budget original.

Maybe it's just time to put an end to this mutant circle of life, or at least send it straight to DVD from now on.

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5 Comments

  1. Battlefield Earth was released in the year and went on to be known as the worst movie of the decade. Call it the circle of mutant life. Apparently, I was the only one who shared that vision.

  2. Ellis was upset that the tone of the story went from dark humor to something more melodramatic. It was very distressing to see the cuts of this movie and realize that all the laughs were gone. And neither is the basic plot truly seen through to an end point.

  3. And there are some fun moments of gory horror and killing for true fans to be found along the way, if those same fans are willing to overlook an exceptionally stupid script. Finally, it was agreed that I would get no credit beyond a note that the screenplay was based upon a subject by Gore Vidal. But a fair amount of damage has been done.

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