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Who's Gonna Love Me Now? Gay Jewish characters have been the subject of great films from around the world, and the list below features films from the UK, France, Germany, the US, and, of course, Israel. My Son Is Gay!! Special mention must go to TV, too. These 10 films focus on culturally Jewish films featuring gay and lesbian protagonists, almost all of which were directed by Jewish filmmakers.

And how are you this evening? While Michael, the pathetic protagonist, is indeed an unlikeable and self-pitying monster, the other characters are far more sympathetic, while the glorious Harold, utterly unashamed of his homosexuality and with nothing to hide, emerges from the carnage unscathed.

Frey, who gives the performance of his career as Harold, found greater fame the following year with an Oscar-nominated turn in Fiddler on the Roof But it all began with Torch Song Trilogy , a play that started life as an off-off-Broadway production before transferring and becoming a Tony-winning classic. Directed by Paul Bogart, the film is a moving and often very funny look into the tragicomic life of Arnold Fierstein , a drag queen searching for love and acceptance.

The star of the show, though, is Fierstein, who makes Arnold a lovable, vulgar and believably human figure who challenged the perception of drag queens as sexless clowns shaming the gay community. He kicked off his short career with Drifting , a grim, semi-autobiographical tale of a gay filmmaker trying and failing to find love and funding for his next film. Amazing Grace, made nearly a decade later, is a much stronger piece of work, about two gay men — one an innocent teenager from a troubled family, the other an HIV patient — who fall for each other after meeting in Tel Aviv.

The fantasy sequence where male models in a porn magazine come to life is worthy of Derek Jarman, while the sad camera pan around the room following the gaze of the dying grandmother of one of the men is filled with poignancy and regret. Guttman died from an AIDs-related illness the year after the film was released. Amazing Grace is a heartbreaking legacy of the potential future classics that he might have gone on to make.

In Man Is a Woman , he brings all his considerable charm and charisma to the role of Simon, a gay Klezmer musician who is offered 10 million francs from his traditionalist uncle if he agrees to marry a woman. The sexual politics of the film are hard to pin down. Is Simon gay, bi, or does he defy such labels? Is Simon really in love with his brother-in-law, too, or is it mere lust?

Despite the menace around them, we also see the great joy and spirit of these two brave women, and the love and affection they have for each other is delightful. Few gay and lesbian survivors were alive to tell their stories when Rob Epstein and Jeffrey Friedman made their important documentary Paragraph , whose title derives from the German act of law prohibiting gay sex, which continued to exist into the s.

In the documentary, a number of men and a Jewish lesbian talk about their harrowing experiences. As well as providing an invaluable record of a history that was nearly lost — all of the participants are now dead — Epstein and Friedman allow the camera to capture the humanity of the talking heads.

Rather than producing a parade of crushed victims, the film foregrounds the sharp commentary of Gad Beck, a Jewish gay man who helped refugees escape; the wistful memories of love lost from Heinz F.

Kissing Jessica Stein Director Charles Herman-Wurmfeld A comedy about two women who decide to dabble in a same-sex relationship initially based on a series of failed heterosexual affairs, and the fact that they are drawn together through a shared admiration for a Rilke quote, sounds at best tiresome, at worst offensive. The film ultimately belongs to Juergensen, who embraces her newfound sexuality with abandon and refuses to compromise.

Most contemporary reviews drew lazy comparisons with Brokeback Mountain , despite the emphasis on religion and, crucially, the modern setting of the Israeli film. Tabakman infuses the scenes of the men together with great sensuality, such as their fated meeting for a ritual bath, contrasting with the drabness of their everyday lives.

Yossi is now older, plumper, single, depressed and in the closet. However, it is when he gives a lift to some young soldiers that a chance for happiness opens.

Yossi is his finest work yet, with beautifully written, likeable characters, an unexpectedly moving scene of nudity and one of the most perfect endings in recent Israeli cinema. A moment when a grimly orthodox wife, towards the end of the film, finally opens her mouth and defends Saar had the audience cheering at the screening I attended. As for Saar, his progress from a vulnerable man fearing yet further rejection to a confident and defiant AIDS activist ready to tackle prejudice is utterly inspiring.

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The Preacher's Daughter



Youtube lesbian sex scenes naked encounters

Who's Gonna Love Me Now? Gay Jewish characters have been the subject of great films from around the world, and the list below features films from the UK, France, Germany, the US, and, of course, Israel.

My Son Is Gay!! Special mention must go to TV, too. These 10 films focus on culturally Jewish films featuring gay and lesbian protagonists, almost all of which were directed by Jewish filmmakers.

And how are you this evening? While Michael, the pathetic protagonist, is indeed an unlikeable and self-pitying monster, the other characters are far more sympathetic, while the glorious Harold, utterly unashamed of his homosexuality and with nothing to hide, emerges from the carnage unscathed. Frey, who gives the performance of his career as Harold, found greater fame the following year with an Oscar-nominated turn in Fiddler on the Roof But it all began with Torch Song Trilogy , a play that started life as an off-off-Broadway production before transferring and becoming a Tony-winning classic.

Directed by Paul Bogart, the film is a moving and often very funny look into the tragicomic life of Arnold Fierstein , a drag queen searching for love and acceptance. The star of the show, though, is Fierstein, who makes Arnold a lovable, vulgar and believably human figure who challenged the perception of drag queens as sexless clowns shaming the gay community.

He kicked off his short career with Drifting , a grim, semi-autobiographical tale of a gay filmmaker trying and failing to find love and funding for his next film.

Amazing Grace, made nearly a decade later, is a much stronger piece of work, about two gay men — one an innocent teenager from a troubled family, the other an HIV patient — who fall for each other after meeting in Tel Aviv. The fantasy sequence where male models in a porn magazine come to life is worthy of Derek Jarman, while the sad camera pan around the room following the gaze of the dying grandmother of one of the men is filled with poignancy and regret.

Guttman died from an AIDs-related illness the year after the film was released. Amazing Grace is a heartbreaking legacy of the potential future classics that he might have gone on to make. In Man Is a Woman , he brings all his considerable charm and charisma to the role of Simon, a gay Klezmer musician who is offered 10 million francs from his traditionalist uncle if he agrees to marry a woman.

The sexual politics of the film are hard to pin down. Is Simon gay, bi, or does he defy such labels? Is Simon really in love with his brother-in-law, too, or is it mere lust? Despite the menace around them, we also see the great joy and spirit of these two brave women, and the love and affection they have for each other is delightful. Few gay and lesbian survivors were alive to tell their stories when Rob Epstein and Jeffrey Friedman made their important documentary Paragraph , whose title derives from the German act of law prohibiting gay sex, which continued to exist into the s.

In the documentary, a number of men and a Jewish lesbian talk about their harrowing experiences. As well as providing an invaluable record of a history that was nearly lost — all of the participants are now dead — Epstein and Friedman allow the camera to capture the humanity of the talking heads. Rather than producing a parade of crushed victims, the film foregrounds the sharp commentary of Gad Beck, a Jewish gay man who helped refugees escape; the wistful memories of love lost from Heinz F.

Kissing Jessica Stein Director Charles Herman-Wurmfeld A comedy about two women who decide to dabble in a same-sex relationship initially based on a series of failed heterosexual affairs, and the fact that they are drawn together through a shared admiration for a Rilke quote, sounds at best tiresome, at worst offensive.

The film ultimately belongs to Juergensen, who embraces her newfound sexuality with abandon and refuses to compromise. Most contemporary reviews drew lazy comparisons with Brokeback Mountain , despite the emphasis on religion and, crucially, the modern setting of the Israeli film. Tabakman infuses the scenes of the men together with great sensuality, such as their fated meeting for a ritual bath, contrasting with the drabness of their everyday lives. Yossi is now older, plumper, single, depressed and in the closet.

However, it is when he gives a lift to some young soldiers that a chance for happiness opens. Yossi is his finest work yet, with beautifully written, likeable characters, an unexpectedly moving scene of nudity and one of the most perfect endings in recent Israeli cinema. A moment when a grimly orthodox wife, towards the end of the film, finally opens her mouth and defends Saar had the audience cheering at the screening I attended.

As for Saar, his progress from a vulnerable man fearing yet further rejection to a confident and defiant AIDS activist ready to tackle prejudice is utterly inspiring.

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